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La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens

Abstract : This work proposes to observe the effect of various musical structures, extracted from the minimalist musical current, on temporal auditive perception of musician and non-musician adolescents. In order to undertake this research, we had to first define our conception of musical time as well as its supposed impact on auditive perception. Once the minimalist musical work corpus was selected, a musical analysis of the sound excerpts chosen for the elaboration of two experiments was done. It was destined to justify the selection of these excerpts and to define the writing processes at work, liable to distort duration perception of the subjects. Two experiments, a free categorization task and a duration evaluation task, are presented as experimental protocols in order to show their progression, to comment the obtained results and to explain the computing methods allowing to formulate an interpretation of the results. According to the results, only some writing processes used by minimalist composers seem to have an effect on perception of musical structures and their duration estimation. The results are valid for both subject groups, which proves that previous musical experience does not have a major effect on duration perception in musical context.
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Submitted on : Monday, January 30, 2012 - 4:03:30 PM
Last modification on : Thursday, June 27, 2019 - 4:28:58 PM
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  • HAL Id : tel-00664451, version 1

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Adeline Stervinou. La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens. Musique, musicologie et arts de la scène. Université Toulouse le Mirail - Toulouse II, 2011. Français. ⟨NNT : 2011TOU20041⟩. ⟨tel-00664451⟩

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