My doctoral thesis is about „The Card Party“ of Stravinsky. I'm dealing with concepts such as analytic models, game theory, or the possible relationships between a literary text and a music score. Its interest lies in the analysis of the ways you may obtain information from a score, not in the results themselves. During the first section I'm applying a series of traditional analytic methods to the first round of the „Card Party“. The second section constructs a synthetic analytical situation where, thanks to a kind of game phenomenology, Stravinsky's second round is supposed to deliver the scenic action of the ballet. In the third section a text from Heinz-Klaus Metzger about Stravinsky and necrophilia is put in contact with the third round as an analytic agent, raising questions as to how to comment murder musically.Instead of resuming results in a conclusive section, I prefer to present a balance about analytical methods. Stravinsky's score is employed as a pretext to discuss the relation between analytical projects and their resulting conclusions